Citation: G. Kreytenberg, A Lehrender Christus by Nicola Pisano in the Cistercian monastery of St Marienstern in Saxony, MITT KUNST, 43(1), 1999, pp. 1-13
Citation: A. Monciatti, The 'Incoronzacione della Vergine' on the controfacciata of the Cathedral of Santa Maria del Fiore and other monumental mosaics in Tuscany, MITT KUNST, 43(1), 1999, pp. 14-48
Citation: B. Paolozzi Strozzi, The tabernacle made of Pietra Dura with reliquary of St Karl Borromaeus, in the centre of the Annunciation Fresco of Pontormo in the Capponi Chapel in Santa Felicita in Florence, MITT KUNST, 43(1), 1999, pp. 49-79
Citation: A. De Vries, Two copies after Starnina's lost frescoes in Santa Maria del Carmine (Florentine painting, Quattrocento), MITT KUNST, 43(1), 1999, pp. 189-199
Citation: C. Cinelli et F. Vossilla, Bartlomeo Ammannati and the apostle statues in Santa Maria del Fiore: Hypothesis and documentary acquisitions, MITT KUNST, 43(1), 1999, pp. 208-224
Citation: C. Thiem, The 'Tote Christus'. An iconographic study of the work of the Florentine painter Giovanni Battista Naldini, MITT KUNST, 43(1), 1999, pp. 225-241
Citation: L. Sickel, A 'St Francis' for Sixtus V. Cardinal Francesco Maria Del Monte, Eleonora Orsini and the significance of the gift of a painting in January 1589, MITT KUNST, 43(1), 1999, pp. 239-241
Citation: A. Matteoli, A 'Maddalena in Penitenza' by Bilivert and other representations of the saint in his works, MITT KUNST, 43(1), 1999, pp. 242-252
Citation: U. Pfisterer, 'Soweit-die-Flugel-meines-Auges-tragen'. Leon Battista Alberti's imprese and self-portrait, MITT KUNST, 42(2-3), 1998, pp. 205-251
Citation: A. Natali, The look of the angels. The circumstantial journey of the 'Battesimo di Cristo' of Verrocchio and Leonardo, MITT KUNST, 42(2-3), 1998, pp. 252-271
Citation: C. Echinger-maurach, A sketch of Michelangelo for the 'Tondo Pitti' and its relationship to Leonardo Da Vinci, works of antiquity, and Raphael, MITT KUNST, 42(2-3), 1998, pp. 274-310
Citation: Pg. Tordella, Giovan Battista Bertani. Classical myths and Julian revisitations in the designs for the ducal palace in Mantua, MITT KUNST, 42(2-3), 1998, pp. 311-357
Citation: K. Langedijk, The tale in 'Pietre Dure' for the emperor. A new understanding of Rudolph II as a collector, MITT KUNST, 42(2-3), 1998, pp. 358-382
Citation: C. Przyborowski, Comesso-panels in the Florentine cabinet in Favorite Castle near Rastatt. Studies in the works of the Galleria dei Lavori in Florence at the beginning of the 18th century, MITT KUNST, 42(2-3), 1998, pp. 383-457
Citation: D. Carl, Two more Madonna statues by Benedetto Da Maiano in Calabria. Supplements to the 'Madonna of Nicotera' and its copies, MITT KUNST, 42(2-3), 1998, pp. 489-498
Citation: A. Boesten-stengel, Leonello Spada as draftsman. A previously unpublished figure study of his painting 'Gang nach Golgatha' in Parma and further attributions, MITT KUNST, 42(2-3), 1998, pp. 499-510
Citation: P. Scapecchi, A Rimini copy of the Vasari 'Vite' with corrections by Giambullari. New indications and proposals regarding the Torrentino edition, MITT KUNST, 42(1), 1998, pp. 101-114