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Table of contents of journal: *October

Results: 1-25/265

Authors: Foster, H
Citation: H. Foster, Blinded insights: On the modernist reception of the art of the mentally ill, OCTOBER, (97), 2001, pp. 3-30

Authors: Palermo, C
Citation: C. Palermo, Tactile translucence: Miro, Leiris, Einstein (The paintings of Joan Miro through the writings of Michel Leiris and Carl Einstein), OCTOBER, (97), 2001, pp. 31-50

Authors: Baker, G
Citation: G. Baker, The artwork caught by the tail (Francis Picabia and Paris Dada), OCTOBER, (97), 2001, pp. 51-90

Authors: Demos, TJ
Citation: Tj. Demos, Duchamp's labyrinth: First Papers of Surrealism, 1942 (The New York installation organized by Andre Breton), OCTOBER, (97), 2001, pp. 91-119

Authors: Wiener, O Buchloh, B
Citation: O. Wiener et B. Buchloh, Remarks on some tendencies of the "Vienna Group" (Various linguistic and poetical legacies from Russian formalism to Dada poetry, 1952 to 1959), OCTOBER, (97), 2001, pp. 120-130

Authors: Michelson, A
Citation: A. Michelson, A world embodied in the dancing line, OCTOBER, (96), 2001, pp. 3-16

Authors: Silverman, K
Citation: K. Silverman, The author as receiver, OCTOBER, (96), 2001, pp. 17-34

Authors: Cadava, E
Citation: E. Cadava, Lapsus Imaginis: The image in ruins, OCTOBER, (96), 2001, pp. 35-60

Authors: Morris, R
Citation: R. Morris, Threading the labyrinth, OCTOBER, (96), 2001, pp. 61-70

Authors: Apter, E
Citation: E. Apter, The human in the humanities, OCTOBER, (96), 2001, pp. 71-85

Authors: Ross, C
Citation: C. Ross, Vision and insufficiency at the turn of the Millennium: Rosemarie Trockel's distracted eye, OCTOBER, (96), 2001, pp. 86-110

Authors: Joseph, BW
Citation: Bw. Joseph, 'A-duplication-containing-duplications': Robert Rauschenberg's split screens, OCTOBER, (95), 2001, pp. 3-27

Authors: Mansoor, J
Citation: J. Mansoor, Piero Manzoni: 'We-want-to-organicize-disintegration' (Art, Europe, twentieth century, spacialism), OCTOBER, (95), 2001, pp. 28-54

Authors: Kotz, L
Citation: L. Kotz, Post-Cagean aesthetics and the 'event' score, OCTOBER, (95), 2001, pp. 54-89

Authors: Dworkin, CD
Citation: Cd. Dworkin, Fugitive signs (Poetry, post-structuralism), OCTOBER, (95), 2001, pp. 90-113

Authors: Ward, F
Citation: F. Ward, Gray zone: Watching 'Shoot' (Performance art), OCTOBER, (95), 2001, pp. 114-130

Authors: Colomina, B Smithson, P
Citation: B. Colomina et P. Smithson, Friends of the future: A conversation with Peter Smithson, OCTOBER, (94), 2000, pp. 3-30

Authors: Wigley, M
Citation: M. Wigley, The architectural cult of synchronization, OCTOBER, (94), 2000, pp. 31-61

Authors: Myers, J
Citation: J. Myers, The future as fetish (The Independent-Group and Postwar Britain), OCTOBER, (94), 2000, pp. 62-88

Authors: Moffat, I
Citation: I. Moffat, "A Horror of Abstract Thought": Postwar Britain and Hamilton's 1951 'Growth and Form' Exhibition, OCTOBER, (94), 2000, pp. 89-112

Authors: Kaizen, WR
Citation: Wr. Kaizen, Richard Hamilton's tabular image, OCTOBER, (94), 2000, pp. 112-128

Authors: Kelly, M
Citation: M. Kelly, 'Mea Culpa' (Art), OCTOBER, (93), 2000, pp. 3-22

Authors: Jennings, M
Citation: M. Jennings, Agriculture, industry, and the birth of the photo-essay in the Late WeimarRepublic, OCTOBER, (93), 2000, pp. 23-56

Authors: Gough, M
Citation: M. Gough, The 'Art of the Day' by Nikolai Tarabukin (The first English translation of the preface and final chapter of his essay collection published in 1925), OCTOBER, (93), 2000, pp. 57-58

Authors: Tarabukin, N
Citation: N. Tarabukin, The 'Art of the Day' (English translation with footnotes of the preface and final chapter), OCTOBER, (93), 2000, pp. 59-77
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