Results: 1-25 | 26-28

Table of contents of journal: *Oxford art journal

Results: 1-25/28

Authors: McClellan, A
Citation: A. Mcclellan, The life and death of a royal monument: Bouchardon's 'Louis XV', OX ART J, 23(2), 2000, pp. 3-27

Authors: Grosskurth, B
Citation: B. Grosskurth, Shifting monuments: Falconet's 'Peter the Great' between Diderot and Eisenstein, OX ART J, 23(2), 2000, pp. 31-48

Authors: Jollet, E
Citation: E. Jollet, Between allegory and topography: the project for a statue to Louis XVI in Brest (1785-1786) and the question of the pedestal in public statuary in Eighteenth-century France, OX ART J, 23(2), 2000, pp. 51-77

Authors: Forbes, D
Citation: D. Forbes, 'Dodging and watching the natural incidents of the peasantry': Genre painting in Scotland 1780-1830, OX ART J, 23(2), 2000, pp. 81-94

Authors: Codell, JF
Citation: Jf. Codell, Righting the Victorian artist: The Redgraves' A 'Century of painters of the English School' and the serialisation of art history, OX ART J, 23(2), 2000, pp. 97-119

Authors: Arscott, C
Citation: C. Arscott, Convict labour: Masking and interchangeability in Victorian prison scenes, OX ART J, 23(2), 2000, pp. 123-142

Authors: Gretton, T
Citation: T. Gretton, Difference and competition: the imitation and reproduction of fine art in a nineteenth-century illustrated weekly news magazine (Le Monde Illustre), OX ART J, 23(2), 2000, pp. 143-162

Authors: Carter, W
Citation: W. Carter, Mural painting and social revolution in Mexico, 1920-1940: Art of the new order, OX ART J, 23(2), 2000, pp. 165-171

Authors: Carter, W
Citation: W. Carter, Painting on the left: Diego Rivera, radical politics, and San Francisco's public murals, OX ART J, 23(2), 2000, pp. 165-171

Authors: San Juan, RM
Citation: Rm. San Juan, Quoting Caravaggio: Contemporary art, preposterous history, OX ART J, 23(2), 2000, pp. 171-177

Authors: San Juan, RM
Citation: Rm. San Juan, The self-aware image: An insight into early modern meta-painting, OX ART J, 23(2), 2000, pp. 171-177

Authors: Jones, A
Citation: A. Jones, Reading August Sander's archive, OX ART J, 23(1), 2000, pp. 1-22

Authors: Franklin, PB
Citation: Pb. Franklin, Object choice: Marcel Duchamp's 'Fountain' and the art of queer art history, OX ART J, 23(1), 2000, pp. 23-50

Authors: Greeley, RA
Citation: Ra. Greeley, Painting Mexican identities: Nationalism and gender in the work of Maria Izquierdo, OX ART J, 23(1), 2000, pp. 51-72

Authors: Rampley, M
Citation: M. Rampley, In search of cultural history: Anselm Kiefer and the ambivalence of modernism, OX ART J, 23(1), 2000, pp. 73-96

Authors: Taggard, MN
Citation: Mn. Taggard, Picturing intimacy in an Spanish Golden Age convent, OX ART J, 23(1), 2000, pp. 97-112

Authors: Wright, BS
Citation: Bs. Wright, 'That other historian, the illustrator': Voices and vignettes in mid-nineteenth century France, OX ART J, 23(1), 2000, pp. 113-136

Authors: Hatt, M
Citation: M. Hatt, Excitable speech: A politics of the performative, OX ART J, 23(1), 2000, pp. 139-146

Authors: Steyn, J
Citation: J. Steyn, Caught by history: Holocaust effects in contemporary art, literature, and theory, OX ART J, 23(1), 2000, pp. 147-150

Authors: Lee, AW
Citation: Aw. Lee, Posada's broadsheets: Mexican popular imagery, 1890-1910, OX ART J, 23(1), 2000, pp. 151-155

Authors: Lee, AW
Citation: Aw. Lee, Diego Rivera as epic modernist, OX ART J, 23(1), 2000, pp. 151-155

Authors: Falconer, M
Citation: M. Falconer, 'Changing New York', with an introductory essay by Bonnie Yochelson, OX ART J, 23(1), 2000, pp. 155-157

Authors: Boyanoski, C
Citation: C. Boyanoski, British painting 1800-1990 in Australian and New Zealand public collections, OX ART J, 23(1), 2000, pp. 158-164

Authors: Boyanoski, C
Citation: C. Boyanoski, New worlds from old: 19th century Australian & American landscapes, OX ART J, 23(1), 2000, pp. 158-164

Authors: Boyanoski, C
Citation: C. Boyanoski, Art in Australia: From colonization to postmodernism, OX ART J, 23(1), 2000, pp. 158-164
Risultati: 1-25 | 26-28