Results: 1-25 | 26-31

Table of contents of journal: *Oxford art journal

Results: 1-25/31

Authors: Wagner, AM
Citation: Am. Wagner, Bourgeois prehistory, or the ransom of fantasies, OX ART J, 22(2), 1999, pp. 3-23

Authors: Fer, B
Citation: B. Fer, Objects beyond objecthood (On Louise Bourgeois), OX ART J, 22(2), 1999, pp. 25-36

Authors: Potts, A
Citation: A. Potts, Louise Bourgeois - Sculptural confrontations, OX ART J, 22(2), 1999, pp. 37-53

Authors: Nixon, M
Citation: M. Nixon, Eating words (Louise Bourgeois's The 'Destruction of the Father' and 'He disappeared into complete silence'), OX ART J, 22(2), 1999, pp. 55-70

Authors: Pollock, G
Citation: G. Pollock, Old bones and cocktail dresses: Louise Bourgeois and the question of age, OX ART J, 22(2), 1999, pp. 71-100

Authors: Bal, M
Citation: M. Bal, Narrative inside out: Louise Bourgeois' spider as theoretical object, OX ART J, 22(2), 1999, pp. 101-126

Authors: Brighton, A
Citation: A. Brighton, Sensation: Young British artists from Saatchi collection, OX ART J, 22(2), 1999, pp. 129-133

Authors: Lewis, R
Citation: R. Lewis, Orientalism: History, theory and the arts, OX ART J, 22(2), 1999, pp. 133-136

Authors: Sheehy, J
Citation: J. Sheehy, Visual politics: The representation of Ireland 1750-1930, OX ART J, 22(2), 1999, pp. 136-140

Authors: Leathlean, H
Citation: H. Leathlean, Civilizing rituals: Inside public art museums, OX ART J, 22(2), 1999, pp. 141-144

Authors: Thomas, A
Citation: A. Thomas, Renaissance women patrons: Wives and widows in Italy c.1300-1550, OX ART J, 22(2), 1999, pp. 144-153

Authors: Thomas, A
Citation: A. Thomas, Picturing women in renaissance and baroque Italy, OX ART J, 22(2), 1999, pp. 144-153

Authors: Thomas, A
Citation: A. Thomas, Titian's women, OX ART J, 22(2), 1999, pp. 144-153

Authors: Thomas, A
Citation: A. Thomas, Women in Italian renaissance art: Gender, representation, identity, OX ART J, 22(2), 1999, pp. 144-153

Authors: Thomas, A
Citation: A. Thomas, Defining the renaissance virtuosa: Women artists and the language of art history and criticism, OX ART J, 22(2), 1999, pp. 144-153

Authors: Thomas, A
Citation: A. Thomas, Women and art in early modern Europe: Patrons, collectors, and connoisseurs, OX ART J, 22(2), 1999, pp. 144-153

Authors: Thofner, M
Citation: M. Thofner, Marrying the city, mothering the country: Gender and visual conventions inJohannes Bochius's account of the joyous entry of the Archduke Albert and the Infanta Isabella into Antwerp, OX ART J, 22(1), 1999, pp. 1-27

Authors: Hills, H
Citation: H. Hills, Cities and virgins: Female aristocratic convents in early modern Naples and Palermo, OX ART J, 22(1), 1999, pp. 29-54

Authors: Carter, S
Citation: S. Carter, 'This female Proteus': Representing prostitution and masquerade in Eighteenth-century English popular print culture, OX ART J, 22(1), 1999, pp. 55-79

Authors: Roberts, J
Citation: J. Roberts, Trickster (Rod Dickinson and his crop-circles), OX ART J, 22(1), 1999, pp. 81-101

Authors: Day, G
Citation: G. Day, Allegory: Between deconstruction and dialectics, OX ART J, 22(1), 1999, pp. 103-118

Authors: Simmons, S
Citation: S. Simmons, Advertising seizes control of life: Berlin Dada and the power of advertising, OX ART J, 22(1), 1999, pp. 119-146

Authors: Gere, C
Citation: C. Gere, zeroes plus ones: digital women plus the new technoculture, OX ART J, 22(1), 1999, pp. 149-157

Authors: Gere, C
Citation: C. Gere, Modest_witness@second_Millenium.FemaleMan_Meets_OncoMouse(TM), OX ART J, 22(1), 1999, pp. 149-157

Authors: Gere, C
Citation: C. Gere, Ground control, OX ART J, 22(1), 1999, pp. 149-157
Risultati: 1-25 | 26-31