Results: 1-25 | 26-50

Table of contents of journal: *Oxford art journal

Results: 1-25/50

Authors: CHADWICK W
Citation: W. Chadwick, FETISHIZING FASHION FETISHIZING CULTURE, MAN-RAY 'NOIRE ET BLANCHE', Oxford art journal, 18(2), 1995, pp. 3-17

Authors: JONES A
Citation: A. Jones, CLOTHES MAKE THE MAN, THE MALE ARTIST AS A PERFORMATIVE FUNCTION, Oxford art journal, 18(2), 1995, pp. 18-32

Authors: FILLINYEH S
Citation: S. Fillinyeh, DANDIES, MARGINALITY AND MODERNISM, OKEEFFE,GEORGIA, DUCHAMP,MARCEL AND THE OTHER CROSS-DRESSERS, Oxford art journal, 18(2), 1995, pp. 33-44

Authors: BERGSTEIN M
Citation: M. Bergstein, THE 'ARTIST IN HIS STUDIO', PHOTOGRAPHY, ART, AND THE MASCULINE MYSTIQUE, Oxford art journal, 18(2), 1995, pp. 45-58

Authors: NEAD L
Citation: L. Nead, SEDUCTIVE CANVASES, VISUAL MYTHOLOGIES OF THE ARTIST AND ARTISTIC CREATIVITY, Oxford art journal, 18(2), 1995, pp. 59-69

Authors: GRIFFIN RC
Citation: Rc. Griffin, EAKINS,THOMAS CONSTRUCTION OF THE MALE BODY, OR MEN GET TO KNOW EACH OTHER ACROSS THE SPACE OF TIME, Oxford art journal, 18(2), 1995, pp. 70-80

Authors: IVERSEN M
Citation: M. Iversen, THE ORIGIN OF PERSPECTIVE - DAMISCH,H, Oxford art journal, 18(2), 1995, pp. 81-84

Authors: IVERSEN M
Citation: M. Iversen, PERSPECTIVE AS A SYMBOLIC FORM - PANOFSKY,E, Oxford art journal, 18(2), 1995, pp. 81-84

Authors: HILLS H
Citation: H. Hills, HISTORY OF ITALIAN ART - BIANCHINI,E, DOREY,C, Oxford art journal, 18(2), 1995, pp. 85-88

Authors: HOWKINS A
Citation: A. Howkins, THE TORY VIEW OF LANDSCAPE - EVERETT,N, Oxford art journal, 18(2), 1995, pp. 89-91

Authors: PAYNE C
Citation: C. Payne, BRITISH LANDSCAPE WATERCOLORS 1750-1850 - MUNRO,J, Oxford art journal, 18(2), 1995, pp. 91-93

Authors: PAYNE C
Citation: C. Payne, PROSPECTS, THRESHOLDS, INTERIORS, WATERCOLORS FROM THE NATIONAL COLLECTION AT THE VICTORIA-AND-ALBERT-MUSEUM - JOHNSON,L, Oxford art journal, 18(2), 1995, pp. 91-93

Authors: MILLER A
Citation: A. Miller, COLE,THOMAS, LANDSCAPE INTO HISTORY - TRUETTNER,W, WALLACH,A, Oxford art journal, 18(2), 1995, pp. 93-96

Authors: ADLER K
Citation: K. Adler, THE MAGIC OF IMPRESSIONISM -ESSAY OF RECENT PUBLICATIONS BY TINTEROW,GARY, ADAMS,STEVEN, MCCONKEY,K, WEINBERG,BARBARA AND DISTEL,ANNE( A REVIEW), Oxford art journal, 18(2), 1995, pp. 96-99

Authors: GEE M
Citation: M. Gee, MARKETING MODERNISM IN FIN-DE-SIECLE EUROPE - JENSEN,R, Oxford art journal, 18(2), 1995, pp. 99-101

Authors: CHAPLIN S
Citation: S. Chaplin, PORTRAITS OF WOMEN, JOHN,GWEN AND HER FORGOTTEN CONTEMPORARIES - THOMAS,A, Oxford art journal, 18(2), 1995, pp. 101-103

Authors: GRIFFIN R
Citation: R. Griffin, THE ROMANTIC SPIRIT IN GERMAN ART 1790-1990 - HARTLEY,K, Oxford art journal, 18(2), 1995, pp. 103-107

Authors: BEHR S
Citation: S. Behr, PRIMITIVISM, CUBISM, ABSTRACTION, THE EARLY-20TH-CENTURY - HARRISON,C, FRASCINA,F, PERRY,G, Oxford art journal, 18(2), 1995, pp. 107-109

Authors: JACHEC N
Citation: N. Jachec, FIGURING JOHNS,JASPER - ORTON,F, Oxford art journal, 18(2), 1995, pp. 110-112

Authors: JACHEC N
Citation: N. Jachec, MODERNISM IN DISPUTE, ART SINCE THE 1940S - HARRIS,J, HARRISON,C, WOOD,P, Oxford art journal, 18(2), 1995, pp. 110-112

Authors: JACHEC N
Citation: N. Jachec, ART HAS NO HISTORY, THE MAKING AND UNMAKING OF MODERN-ART - ROBERTS,J, Oxford art journal, 18(2), 1995, pp. 110-112

Authors: GROSSKURTH B
Citation: B. Grosskurth, DOWNCAST EYES, THE DENIGRATION OF VISION IN 20TH-CENTURY FRENCH THOUGHT - JAY,M, Oxford art journal, 18(2), 1995, pp. 112-115

Authors: JOHNSON L
Citation: L. Johnson, ART IN THE AGE OF MASS-MEDIA - WALKER,JA, Oxford art journal, 18(2), 1995, pp. 116-119

Authors: JOHNSON L
Citation: L. Johnson, ARTS TV, A HISTORY OF ARTS TELEVISION IN BRITAIN - WALKER,JA, Oxford art journal, 18(2), 1995, pp. 116-119

Authors: JOHNSON L
Citation: L. Johnson, ART AND ARTISTS ON SCREEN - WALKER,JA, Oxford art journal, 18(2), 1995, pp. 116-119
Risultati: 1-25 | 26-50