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Table of contents of journal: *Modern language review

Results: 1-25/512

Authors: Hardman, CB
Citation: Cb. Hardman, 'Our drooping country now erects her head': Nahum Tate's 'History of King Lear', MOD LANG R, 95, 2000, pp. 913-923

Authors: Kooy, MJ
Citation: Mj. Kooy, Coleridge's Francophobia, MOD LANG R, 95, 2000, pp. 924-941

Authors: Hutchinson, S
Citation: S. Hutchinson, 'Beyond' George Eliot? Reconsidering Edith Wharton, MOD LANG R, 95, 2000, pp. 942-953

Authors: Williams, AJ
Citation: Aj. Williams, Ritual in Branch-17 of the 'Roman de Renart (Mort et procession Renart)': A key to a carnivalesque reading of the texts?, MOD LANG R, 95, 2000, pp. 954-963

Authors: Brown, P
Citation: P. Brown, Gustave Dore's magical realism: The 'Nouveaux contes de fee' of the Comtesse de Segur, MOD LANG R, 95, 2000, pp. 964-977

Authors: Kawakami, A
Citation: A. Kawakami, Barbarian travels: Textual positions in Un 'Barbare en Asie', MOD LANG R, 95, 2000, pp. 978-991

Authors: Burns, J
Citation: J. Burns, Telling tales about 'Impegno': Commitment and hindsight in Vittorini and Calvino, MOD LANG R, 95, 2000, pp. 992-1006

Authors: Thacker, J
Citation: J. Thacker, 'Que yo le hare de suerte que os espante, si el fingimiento a la verdad excede': Creative use of art in Lope de Vega's Los 'Locos de Valencia' (and Velazquez's 'Fabula de Aracne'), MOD LANG R, 95, 2000, pp. 1007-1018

Authors: Six, AL
Citation: Al. Six, 'Buenos seamos, que Dios nos ve': La 'Madre naturaleza' and Foucault's panopticon, MOD LANG R, 95, 2000, pp. 1019-1026

Authors: Allinson, M
Citation: M. Allinson, 'Una comedia sin publico'; Metatheatre, action, and reaction in Lorca's 'Comedia sin titulo', MOD LANG R, 95, 2000, pp. 1027-1037

Authors: Louth, C
Citation: C. Louth, The question of influence: Holderlin's dealings with Schiller and Pindar, MOD LANG R, 95, 2000, pp. 1038-1052

Authors: Barnett, D
Citation: D. Barnett, Dramaturgies of sprachkritik: Rainer Werner Fassbinder's 'Blut am Hals derKatze' and Peter Handke's 'Kaspar', MOD LANG R, 95, 2000, pp. 1053-1063

Authors: Williams, CD
Citation: Cd. Williams, Strange music: The metre of the English heroic line, MOD LANG R, 95, 2000, pp. 1064-1064

Authors: Shippey, TA
Citation: Ta. Shippey, Sharing story: Medieval Norse-English literary relationship, MOD LANG R, 95, 2000, pp. 1065-1066

Authors: Heale, E
Citation: E. Heale, Stories of chaos: Reason and its displacement in early modern English narrative, MOD LANG R, 95, 2000, pp. 1066-1067

Authors: Heale, E
Citation: E. Heale, Medusa's mirrors: Spenser, Shakespeare, Milton, and the metamorphosis of the female self, MOD LANG R, 95, 2000, pp. 1066-1067

Authors: Calore, M
Citation: M. Calore, A dictionary of stage directions in English drama, 1580-1642, MOD LANG R, 95, 2000, pp. 1068-1068

Authors: McEachern, C
Citation: C. Mceachern, Shakespeare in production: 'Much ado about nothing', MOD LANG R, 95, 2000, pp. 1069-1069

Authors: Rawlings, P
Citation: P. Rawlings, King Lear and the naked truth: Rethinking the language of religion and resistance, MOD LANG R, 95, 2000, pp. 1070-1071

Authors: Walker, K
Citation: K. Walker, Dryden and the traces of classical Rome, MOD LANG R, 95, 2000, pp. 1071-1072

Authors: Maxwell, C
Citation: C. Maxwell, Culture, class and gender in Victorian novel: Gentlemen, gents and workingwomen, MOD LANG R, 95, 2000, pp. 1072-1073

Authors: Jay, E
Citation: E. Jay, The Brontes and religion, MOD LANG R, 95, 2000, pp. 1073-1074

Authors: Davies, P
Citation: P. Davies, No-thing is left to tell: Zen/chaos theory in the dramatic art of Samuel Beckett, MOD LANG R, 95, 2000, pp. 1074-1075

Authors: Pilling, J
Citation: J. Pilling, Saying I no more: Subjectivity and consciousness in the prose of Samuel Beckett, MOD LANG R, 95, 2000, pp. 1075-1077

Authors: Pilling, J
Citation: J. Pilling, Beckett in black and red: The translations for Nancy Cunard's 'Negro' (1934), MOD LANG R, 95, 2000, pp. 1075-1077
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