Results: 26-50/614
Authors:
Di Folco, J
Citation: J. Di Folco, 'Magna Brava', Scottish National Portrait Gallery, HIST PHOTOG, 25(1), 2001, pp. 110-114
Authors:
Smith, G
Citation: G. Smith, Florence in stereoscope, HIST PHOTOG, 25(1), 2001, pp. 115-116
Authors:
Di Folco, J
Citation: J. Di Folco, 'Bambini fotografi', a year with children, HIST PHOTOG, 25(1), 2001, pp. 115-115
Authors:
Thofner, M
Citation: M. Thofner, Photography and realism in the 19th century: Antwerp, the oldest photographs 1847-1880, HIST PHOTOG, 25(1), 2001, pp. 116-117
Authors:
Tihanov, G
Citation: G. Tihanov, Russian avant-garde visual culture and photography 1910s-1930s - Guest editorial, HIST PHOTOG, 24(4), 2000, pp. 272-272
Authors:
Bowlt, JE
Citation: Je. Bowlt, Life painting and light painting - Photography and the early Russian avant-garde, HIST PHOTOG, 24(4), 2000, pp. 273-282
Authors:
Taylor, B
Citation: B. Taylor, Photo-painting and avant-garde in Soviet Russia, HIST PHOTOG, 24(4), 2000, pp. 283-291
Authors:
Lodder, C
Citation: C. Lodder, Promoting constructivism - 'Kino-fot' and Rodchenko's move into photography, HIST PHOTOG, 24(4), 2000, pp. 292-299
Authors:
Hutchings, SC
Citation: Sc. Hutchings, Photographic eye as poetic I - Maiakovskii's and Rodchenko's 'Pro eto' project (1923), HIST PHOTOG, 24(4), 2000, pp. 300-308
Authors:
Lavrentev, A
Citation: A. Lavrentev, Russian avant-garde experiments with light, HIST PHOTOG, 24(4), 2000, pp. 309-312
Authors:
Tupitsyn, M
Citation: M. Tupitsyn, The histories of the Soviet photograph at home and abroad, HIST PHOTOG, 24(4), 2000, pp. 313-316
Authors:
Rodchenko, A
Stepanova, V
Citation: A. Rodchenko et V. Stepanova, Letters to and from Paris (1925) by Aleksandr Rodchenko and Varvara Stepanova, HIST PHOTOG, 24(4), 2000, pp. 317-332
Authors:
Weaver, M
Hammond, A
Citation: M. Weaver et A. Hammond, A first and last editorial - Signing off (With bibliography), HIST PHOTOG, 24(4), 2000, pp. 333-345
Citation: Recent publications on photography, HIST PHOTOG, 24(4), 2000, pp. 346-346
Authors:
Shanahan, P
Citation: P. Shanahan, The Italian cultural landscape - Guest editorial (Photography), HIST PHOTOG, 24(3), 2000, pp. U190-U190
Authors:
Margini, R
Citation: R. Margini, Paradigms of recent Italian photography - From seeing to seen, HIST PHOTOG, 24(3), 2000, pp. 191-195
Authors:
Valtorta, R
Citation: R. Valtorta, Paolo Monti, HIST PHOTOG, 24(3), 2000, pp. 196-201
Authors:
Pelizzari, MA
Citation: Ma. Pelizzari, Mario Cresci's 'inadvertent little gestures' (Contemporary Italian photography), HIST PHOTOG, 24(3), 2000, pp. 202-208
Authors:
Barbaro, P
Citation: P. Barbaro, Nino Migliori - Between realism and abstraction (Italian photography), HIST PHOTOG, 24(3), 2000, pp. 209-213
Authors:
Russo, A
Citation: A. Russo, William Guerrieri - The new sociality (Italian photography), HIST PHOTOG, 24(3), 2000, pp. 214-216
Authors:
Chiaramonte, G
Citation: G. Chiaramonte, Landscape towards infinity (Contemporary Italian photography), HIST PHOTOG, 24(3), 2000, pp. 217-218
Authors:
Taramelli, E
Citation: E. Taramelli, Visions of Italy - Landscape and art photography, HIST PHOTOG, 24(3), 2000, pp. 218-222
Authors:
Frontoni, R
Citation: R. Frontoni, Photographers of Scanno (Italian landscapes), HIST PHOTOG, 24(3), 2000, pp. 222-224
Authors:
Salbitani, R
Citation: R. Salbitani, Photographing the territory - Suspended and immaterial lands (Italian urban landscapes), HIST PHOTOG, 24(3), 2000, pp. 224-227
Authors:
Guerrieri, W
Citation: W. Guerrieri, The Linea di Confine project - Reggio Emilia (Regional Italian photography), HIST PHOTOG, 24(3), 2000, pp. 227-228