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Table of contents of journal: *History of photography

Results: 26-50/614

Authors: Di Folco, J
Citation: J. Di Folco, 'Magna Brava', Scottish National Portrait Gallery, HIST PHOTOG, 25(1), 2001, pp. 110-114

Authors: Smith, G
Citation: G. Smith, Florence in stereoscope, HIST PHOTOG, 25(1), 2001, pp. 115-116

Authors: Di Folco, J
Citation: J. Di Folco, 'Bambini fotografi', a year with children, HIST PHOTOG, 25(1), 2001, pp. 115-115

Authors: Thofner, M
Citation: M. Thofner, Photography and realism in the 19th century: Antwerp, the oldest photographs 1847-1880, HIST PHOTOG, 25(1), 2001, pp. 116-117

Authors: Tihanov, G
Citation: G. Tihanov, Russian avant-garde visual culture and photography 1910s-1930s - Guest editorial, HIST PHOTOG, 24(4), 2000, pp. 272-272

Authors: Bowlt, JE
Citation: Je. Bowlt, Life painting and light painting - Photography and the early Russian avant-garde, HIST PHOTOG, 24(4), 2000, pp. 273-282

Authors: Taylor, B
Citation: B. Taylor, Photo-painting and avant-garde in Soviet Russia, HIST PHOTOG, 24(4), 2000, pp. 283-291

Authors: Lodder, C
Citation: C. Lodder, Promoting constructivism - 'Kino-fot' and Rodchenko's move into photography, HIST PHOTOG, 24(4), 2000, pp. 292-299

Authors: Hutchings, SC
Citation: Sc. Hutchings, Photographic eye as poetic I - Maiakovskii's and Rodchenko's 'Pro eto' project (1923), HIST PHOTOG, 24(4), 2000, pp. 300-308

Authors: Lavrentev, A
Citation: A. Lavrentev, Russian avant-garde experiments with light, HIST PHOTOG, 24(4), 2000, pp. 309-312

Authors: Tupitsyn, M
Citation: M. Tupitsyn, The histories of the Soviet photograph at home and abroad, HIST PHOTOG, 24(4), 2000, pp. 313-316

Authors: Rodchenko, A Stepanova, V
Citation: A. Rodchenko et V. Stepanova, Letters to and from Paris (1925) by Aleksandr Rodchenko and Varvara Stepanova, HIST PHOTOG, 24(4), 2000, pp. 317-332

Authors: Weaver, M Hammond, A
Citation: M. Weaver et A. Hammond, A first and last editorial - Signing off (With bibliography), HIST PHOTOG, 24(4), 2000, pp. 333-345

Citation: Recent publications on photography, HIST PHOTOG, 24(4), 2000, pp. 346-346

Authors: Shanahan, P
Citation: P. Shanahan, The Italian cultural landscape - Guest editorial (Photography), HIST PHOTOG, 24(3), 2000, pp. U190-U190

Authors: Margini, R
Citation: R. Margini, Paradigms of recent Italian photography - From seeing to seen, HIST PHOTOG, 24(3), 2000, pp. 191-195

Authors: Valtorta, R
Citation: R. Valtorta, Paolo Monti, HIST PHOTOG, 24(3), 2000, pp. 196-201

Authors: Pelizzari, MA
Citation: Ma. Pelizzari, Mario Cresci's 'inadvertent little gestures' (Contemporary Italian photography), HIST PHOTOG, 24(3), 2000, pp. 202-208

Authors: Barbaro, P
Citation: P. Barbaro, Nino Migliori - Between realism and abstraction (Italian photography), HIST PHOTOG, 24(3), 2000, pp. 209-213

Authors: Russo, A
Citation: A. Russo, William Guerrieri - The new sociality (Italian photography), HIST PHOTOG, 24(3), 2000, pp. 214-216

Authors: Chiaramonte, G
Citation: G. Chiaramonte, Landscape towards infinity (Contemporary Italian photography), HIST PHOTOG, 24(3), 2000, pp. 217-218

Authors: Taramelli, E
Citation: E. Taramelli, Visions of Italy - Landscape and art photography, HIST PHOTOG, 24(3), 2000, pp. 218-222

Authors: Frontoni, R
Citation: R. Frontoni, Photographers of Scanno (Italian landscapes), HIST PHOTOG, 24(3), 2000, pp. 222-224

Authors: Salbitani, R
Citation: R. Salbitani, Photographing the territory - Suspended and immaterial lands (Italian urban landscapes), HIST PHOTOG, 24(3), 2000, pp. 224-227

Authors: Guerrieri, W
Citation: W. Guerrieri, The Linea di Confine project - Reggio Emilia (Regional Italian photography), HIST PHOTOG, 24(3), 2000, pp. 227-228
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