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Table of contents of journal: Die *Musikforschung

Results: 1-25/209

Authors: Berke, D
Citation: D. Berke, Richard Baum - In memoriam, MUSIKFORSCH, 53(4), 2000, pp. 365-365

Authors: Hemming, J Markuse, B Marx, W
Citation: J. Hemming et al., Studying musicology in Germany - A statistical analysis of available programs and disciplines, MUSIKFORSCH, 53(4), 2000, pp. 366-388

Authors: Durante, S
Citation: S. Durante, Mozart's La 'Clemenza di Tito' and German national thought - The receptionof 'Titus' in the 19th century, MUSIKFORSCH, 53(4), 2000, pp. 389-400

Authors: van der Lek, R
Citation: R. Van Der Lek, An opera without singing? Defining the genre of Korngold's film music, MUSIKFORSCH, 53(4), 2000, pp. 401-413

Authors: Pape, M
Citation: M. Pape, Erich Schenk, Austrian musician in Salzburg, Rostock and Vienna - Music historiography between the national ideas of Greater Germany and Lesser Austria, MUSIKFORSCH, 53(4), 2000, pp. 413-431

Authors: Rothkamm, J
Citation: J. Rothkamm, Who composed songs published under Alma Mahler's name? Previously unknown letters of the composer and how they pertain to the revision of her works in 1910, MUSIKFORSCH, 53(4), 2000, pp. 432-445

Authors: Federhofer, H
Citation: H. Federhofer, The chorus in Johann Joseph Fux's operas, MUSIKFORSCH, 53(4), 2000, pp. 446-447

Authors: Severus, J
Citation: J. Severus, The end of the bow - Notes on Baroque articulation practice, MUSIKFORSCH, 53(4), 2000, pp. 448-451

Authors: Seidel, K
Citation: K. Seidel, Notes on the margins of Fanny Hensel's piano composition 'Reisealbum Deutschland Italien 1839/40' recently sold at auction, MUSIKFORSCH, 53(4), 2000, pp. 451-453

Authors: Morgenstern, C
Citation: C. Morgenstern, Music history between Eastern and Western Europe, church music, sacred music, religious music, a conference held in Chemnitz, Germany, October 1999, MUSIKFORSCH, 53(4), 2000, pp. 454-455

Authors: Bettels, C
Citation: C. Bettels, Richard Wagner's 'Ring des Nibelungen', musical dramaturgy, cultural contextuality, primary reception, an international conference held in Munster, Germany, October 1999, MUSIKFORSCH, 53(4), 2000, pp. 455-456

Authors: Ballstaedt, A
Citation: A. Ballstaedt, Chopin 1849-1999, historical aspects of reception and interpretation, an international symposium held in Dusseldorf, Germany, December 1999, MUSIKFORSCH, 53(4), 2000, pp. 456-457

Authors: Killyen, J
Citation: J. Killyen, Freedom or law? An international musicological conference held as a part of the 15th festival of Telemann's music in Magdeburg, Germany, March 2000, MUSIKFORSCH, 53(4), 2000, pp. 457-459

Authors: Heidrich, J
Citation: J. Heidrich, Back, Lubeck and the northern German musical tradition, an international symposium held in Lubeck, Germany, April 2000, MUSIKFORSCH, 53(4), 2000, pp. 459-460

Authors: Koldau, LM
Citation: Lm. Koldau, Gustav Mahler and 19th century symphonics, an international symposium heldin Bonn, Germany, May 2000, MUSIKFORSCH, 53(4), 2000, pp. 460-461

Authors: Miehling, K
Citation: K. Miehling, Gestures and emotions in 17th and 18th century music, 28th international conference held at the Monastery Michaelstein near Blankenburg, Germany, May2000, MUSIKFORSCH, 53(4), 2000, pp. 461-462

Authors: Timm-Hartmann, C
Citation: C. Timm-hartmann, Music and musical life in East Germany during and after the Handel era, a conference held as part of the 49 festival of Handel's music, Halle, Germany, June 2000, MUSIKFORSCH, 53(4), 2000, pp. 462-463

Authors: Bar, U
Citation: U. Bar, Robert Schumann, Clara Schumann, and 19th century national music cultures,7th international Schumann symposium held in Dusseldorf, Germany, June 2000, MUSIKFORSCH, 53(4), 2000, pp. 463-464

Authors: Weiss, S
Citation: S. Weiss, Thwarted voices, the composition class of Franz Schreker, Berlin 1920-1933- International conference of the Jewish Music Institute held in London, July 2000, MUSIKFORSCH, 53(4), 2000, pp. 464-465

Authors: Calella, M
Citation: M. Calella, The treatise on music by Engelbert von Admont (ca.1250-1331), MUSIKFORSCH, 53(4), 2000, pp. 466-466

Authors: Schaarwachter, J
Citation: J. Schaarwachter, "Music with her silver sound". Forms of communication in the golden Age ofEnglish music, MUSIKFORSCH, 53(4), 2000, pp. 467-468

Authors: Fecker, A
Citation: A. Fecker, The voice of the other world. The depiction of the numinous in the opera from Monteverdi to Mozart, MUSIKFORSCH, 53(4), 2000, pp. 468-469

Authors: Fecker, A
Citation: A. Fecker, The language of nature. Nature in 18th century music, MUSIKFORSCH, 53(4), 2000, pp. 469-472

Authors: Rieger, E
Citation: E. Rieger, Franz Schubert: Sexuality, subjectivity, song, MUSIKFORSCH, 53(4), 2000, pp. 472-473

Authors: Klassen, J
Citation: J. Klassen, Friedrich Wieck 'Clavier und Gesang' and other musical pedagogical writings, with accompanying annotations, MUSIKFORSCH, 53(4), 2000, pp. 473-474
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