Citation: E. Schmierer, Johann Christoph Vogel's 'Demophon' - The "tragedie lyrique" in the era ofthe French Revolution, MUSIKFORSCH, 51(4), 1998, pp. 393-408
Citation: M. Meier, The judgement of 'Eumenides' and The 'Twilight of the Gods' - Aeschylus's influence on Richard Wagner's compositions, MUSIKFORSCH, 51(4), 1998, pp. 409-419
Citation: P. Wollny, Johann Sebastian Bach and his music style - An international symposium held in Dortmund, Germany, January 1998, MUSIKFORSCH, 51(4), 1998, pp. 446-446
Citation: M. Dobberstein, Perspectives and methods of systematic musicology - A colloquium held in Cologne, February 1998, MUSIKFORSCH, 51(4), 1998, pp. 447-448
Citation: G. Poppe, Carl Philipp Emanuel Bach's religious music and the dissemination of his music in Eastern Europe during the 18th and 19th century - A symposium held in Frankfurt/Oder in March 1998, MUSIKFORSCH, 51(4), 1998, pp. 448-449
Citation: A. Raab, Types of music sources and their significance for music editing, a conference held in Berlin, March 1998, MUSIKFORSCH, 51(4), 1998, pp. 450-451
Citation: Lm. Koldau, An annual meeting of the Society for Seventeenth-Century Music held in Urbana-Champaign, Illinois, April 1998, MUSIKFORSCH, 51(4), 1998, pp. 451-452
Citation: J. Killyen, Pietro Metastasio's music outside of Italy, a conference held in Halle, Germany, June 1998, MUSIKFORSCH, 51(4), 1998, pp. 453-453
Citation: J. May, Ludwig van Beethoven's works for piano and violoncello, an international conference held in Bonn, Germany, June 1998, MUSIKFORSCH, 51(4), 1998, pp. 454-454
Citation: W. Salmen, Avodah Yisrael (Israelite liturgy). Traditional synagogue chant in southern German and Eastern European rites, fascicle 3, The three pilgrimage festivals, vol 1, Evening and Morning Service, vol 2, Eighteen prayers, Hallel, Torah processions, vol 3, Additional prayers with spring and autumnal chants, MUSIKFORSCH, 51(4), 1998, pp. 458-459
Citation: L. Finscher, Manuscripts in the holdings of the Basel University Library. A catalogue of 16th century music manuscripts. Historical and source critical studies, MUSIKFORSCH, 51(4), 1998, pp. 461-461
Citation: U. Konrad, Mozart. Various perspectives. A lecture series at the Faculty of Philosophy of the University of Saarland during the 1991/92 winter semester, MUSIKFORSCH, 51(4), 1998, pp. 461-462
Citation: R. Rohmann, Wolfgang Amadeus Mozart's personal style. Studies on patterns and types based on 'Kleine Nachtmusik KV525', MUSIKFORSCH, 51(4), 1998, pp. 465-465
Citation: L. Finscher, The string quartet at the Oettingen-Wallerstein court. Ignaz von Beecke and his contemporaries, MUSIKFORSCH, 51(4), 1998, pp. 465-466