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Table of contents of journal: Die *Musikforschung

Results: 1-25/207

Authors: HORTSCHANSKY K
Citation: K. Hortschansky, 50TH ANNIVERSARY OF THE GERMAN MUSICOLOGI CAL JOURNAL DIE 'MUSIKFORSCHUNG', Die Musikforschung, 50(4), 1997, pp. 391-392

Authors: FINSCHER L
Citation: L. Finscher, BRAHMS, A PROGRESSIVE CONSERVATIVE, AT TH E END OF THE 20TH-CENTURY, Die Musikforschung, 50(4), 1997, pp. 393-399

Authors: HONEMANN V
Citation: V. Honemann, POLITICAL SONGS AND SPRUECHE IN THE LATE- MIDDLE-AGES AND EARLY-MODERN AGES, Die Musikforschung, 50(4), 1997, pp. 399-421

Authors: WICKE P
Citation: P. Wicke, LET THE SUN SHINE IN YOUR HEART - WHAT MU SICOLOGY HAS TO DO WITH THELOVE PARADE, OR, OF DISCURSIVE CONSTRUCTION OF THE MUSICAL, Die Musikforschung, 50(4), 1997, pp. 421-433

Authors: WEBERBOCKHOLDT P
Citation: P. Weberbockholdt, RECENTLY DISCOVERED SKETCHES BY BEETHOVEN, Die Musikforschung, 50(4), 1997, pp. 434-437

Authors: WEISS S
Citation: S. Weiss, UKRAINIAN-GERMAN MUSICAL RELATIONS, PAST AND PRESENT - AN INTERNATIONAL-SYMPOSIUM HELD IN KIEV, UKRAINE, APRIL 1997, Die Musikforschung, 50(4), 1997, pp. 438-439

Authors: KILLYEN J
Citation: J. Killyen, GERMAN MUSICAL LIFE IN THE CONTEXT OF SOU THEASTERN EUROPEAN MUSICAL CULTURE, A SYMPOSIUM HELD IN LOWENSTEIN NEAR HEILBRONN, GERMANY, APRIL1997, Die Musikforschung, 50(4), 1997, pp. 438-438

Authors: EICH K MULLER C ROTTER S
Citation: K. Eich et al., BRAHMS,JOHANNES, SOURCES, TEXTS, INTERPRE TATIONS, RECEPTION - AN INTERNATIONAL-CONFERENCE HELD IN HAMBURG, APRIL 1997, Die Musikforschung, 50(4), 1997, pp. 439-441

Authors: KOLDAU LM
Citation: Lm. Koldau, AN ANNUAL-MEETING OF THE SOCIETY FOR 17TH -CENTURY MUSIC (SSCM) HELD IN TALLAHASSEE, FLORIDA, APRIL 1997, Die Musikforschung, 50(4), 1997, pp. 441-442

Authors: KILLYEN J
Citation: J. Killyen, FASCH,JOHANN,FRIEDRICH AND HIS YEARS IN Z ERBST, AN INTERNATIONAL-CONFERENCE HELD IN ZERBST, GERMANY, APRIL 1997, Die Musikforschung, 50(4), 1997, pp. 442-442

Authors: KAUFMANN MG
Citation: Mg. Kaufmann, SCHUBERT,FRANZ SONGS BASED ON THE LYRICS OF POETS FROM HIS SOCIAL CIRCLE, IN SEARCH OF SOUND IN MUSICAL POETRY - A SYMPOSIUM HELD IN ETTLINGEN, APRIL 1997, Die Musikforschung, 50(4), 1997, pp. 443-444

Authors: MOLLER E
Citation: E. Moller, THE OPERA AS AN INSTITUTION IN CENTRAL AN D EASTERN-EUROPE, A CONFERENCE HELD IN CHEMNITZ, MAY 1997, Die Musikforschung, 50(4), 1997, pp. 444-445

Authors: ZYWIETZ M
Citation: M. Zywietz, SCHUMANN,ROBERT AND HIS CONTEMPORARIES, 6 TH INTERNATIONAL-SCHUMANN-SYMPOSIUM HELD IN DUSSELDORF, JUNE 1997, Die Musikforschung, 50(4), 1997, pp. 445-447

Authors: DIEHL G
Citation: G. Diehl, HOW GERMAN IS THE OCCIDENT - HISTORICAL A WARENESS OF ONES MISSION ASREFLECTED IN MUSIC - GERMAN - KARBUSICKY,V, Die Musikforschung, 50(4), 1997, pp. 448-449

Authors: FECKER A
Citation: A. Fecker, SOUND AND LANGUAGE - COMPOSERS IN GERMAN LITERATURE - GERMAN - BRANDSTETTER,G, Die Musikforschung, 50(4), 1997, pp. 449-450

Authors: STRELLER F
Citation: F. Streller, MUSIC AND LITERATURE - COMPARATIVE-STUDIE S ON STRUCTURAL RELATIONS -GERMAN - GIER,A, GRUBER,G, Die Musikforschung, 50(4), 1997, pp. 450-451

Authors: BUSCHSALMEN G
Citation: G. Buschsalmen, OVERTONES - LITERATURE AND MUSIC - 9 ESSA YS ON THE INTERDEPENCE OF THE ARTS - GERMAN - KREUTZER,HJ, Die Musikforschung, 50(4), 1997, pp. 451-452

Authors: ZAMINER F
Citation: F. Zaminer, WORDS, IMAGES, SOUNDS - STUDIES ON THE AN TIQUITY AND ITS RECEPTION -A FESTSCHRIFT FOR KYTZLER,BERNHARD - GERMAN - FABER,R, SEIDENSTICKER,B, Die Musikforschung, 50(4), 1997, pp. 452-453

Authors: BRZOSKA M
Citation: M. Brzoska, OPERA COMPOSITION AS A PROCESS - PROCEEDI NGS OF THE 1995 BOCHUM-SYMPOSIUM - GERMAN - BREIG,W, Die Musikforschung, 50(4), 1997, pp. 453-454

Authors: BRZOSKA M
Citation: M. Brzoska, THE POETRY OF OSSIAN IN MUSICAL COMPOSITI ONS - GERMAN - WESSEL,M, Die Musikforschung, 50(4), 1997, pp. 453-453

Authors: ZIMMERMANN H
Citation: H. Zimmermann, THE MASORETIC CHANT OF THE BIBLE - WEIL,D M, Die Musikforschung, 50(4), 1997, pp. 454-457

Authors: OTTERSTEDT A
Citation: A. Otterstedt, PERFORMANCE AND INTERPRETATION OF TELEMAN N,GEORG,PHILIPP VOCAL-MUSIC- GERMAN - THOM,E, ZSCHOCH,F, Die Musikforschung, 50(4), 1997, pp. 457-458

Authors: WEYER M
Citation: M. Weyer, CHORAL ARRANGEMENTS OF BACH,JOHANN,SEBAST IAN STUDENTS - GERMAN - MATYL,U, Die Musikforschung, 50(4), 1997, pp. 458-458

Authors: JANITZEK M
Citation: M. Janitzek, NEITHER GOLD NOR DIAMOND - INSANGUINE,GIA COMO CALLED MONOPOLI - ITALIAN - LANZILOTTA,P, Die Musikforschung, 50(4), 1997, pp. 459-460

Authors: FECKER A
Citation: A. Fecker, STUDIES ON HAYDN,JOSEPH PIANO TRIOS - GER MAN - BRAUNER,J, Die Musikforschung, 50(4), 1997, pp. 460-461
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