Citation: Mj. Amy, The revised attributions and dates of 2 15th-century mural cycles for the Cathedral of Florence, MITT KUNST, 42(1), 1998, pp. 176-189
Citation: F. Cervini et G. Tigler, FROM THE ALPS TO THE LEVANT - THE MEDITER RANEAN DIASPORA OF LIGNEOUSSCULPTURE FROM THE AOSTA PROVINCE OF PIEDMONT DURING THE LATE 13TH-CENTURY, Mitteilungen des Kunsthistorischen Institutes in Florenz, 41(1-2), 1997, pp. 1-32
Citation: J. Miziolek, THE STORY OF ACHILLES ON 2 LATE 14TH-CENT URY FLORENTINE CASSONE (MEDIEVAL MARRIAGE FURNITURE, PANEL PAINTING), Mitteilungen des Kunsthistorischen Institutes in Florenz, 41(1-2), 1997, pp. 33-67
Citation: C. Merzenich, LIPPI,FILIPPO - AN ALTAR PAINTING FOR SER -MICHELE-DI-FRUOSINO AND AN'ANNUNCIATION' FOR SAN-LORENZO IN FLORENCE (MEDIEVAL CHURCH ART), Mitteilungen des Kunsthistorischen Institutes in Florenz, 41(1-2), 1997, pp. 69
Citation: D. Carl, THE 'MADONNA OF NICOTERRA' AND ITS COPIES - 4 UNDISCOVERED MADONNA STATUES OF BENEDETTO-DA-MAIANO IN CALABRIA AND SICILY, Mitteilungen des Kunsthistorischen Institutes in Florenz, 41(1-2), 1997, pp. 93-118
Citation: M. Ausserhofer, GENOESE HISTORY PAINTING - ASSERETO,GIOAC CHINO AND THE CRUSADES, Mitteilungen des Kunsthistorischen Institutes in Florenz, 41(1-2), 1997, pp. 119-143
Citation: M. Fabianski, A NEW CERRUTI,MICHELANGELO IN POLAND - CERRUTI, ODAZZI, MARATTI, GUERCINO, BONONI, CARRACCI, VAN-DYCK AND CORREGGIO, Mitteilungen des Kunsthistorischen Institutes in Florenz, 41(1-2), 1997, pp. 145
Citation: J. Michler, PATHS OF TRANSMITTING GOTHIC BUILDING FOR MS DURING THE EARLY 14TH-CENTURY, Mitteilungen des Kunsthistorischen Institutes in Florenz, 41(1-2), 1997, pp. 165
Citation: S. Stefanac, TRANSALPINE MASTERS IN THE CONSTRUCTION O F THE PIENZA CATHEDRAL (MEDIEVAL ARCHITECTURE), Mitteilungen des Kunsthistorischen Institutes in Florenz, 41(1-2), 1997, pp. 177-187
Citation: C. James, THE 'PALAZZO BENTIVOGLIO' IN 1487 (BOLOGNESE RENAISSANCE ARCHITECTURE), Mitteilungen des Kunsthistorischen Institutes in Florenz, 41(1-2), 1997, pp. 188-194
Citation: D. Franklin, DOCUMENTS FOR LAPPOLI,GIOVANNI,ANTONIO 'VISITATION' IN SANTE-FLORA-E-LUCILLA IN AREZZO, Mitteilungen des Kunsthistorischen Institutes in Florenz, 41(1-2), 1997, pp. 197-205
Citation: Ed. Schmidt, THE SIGNATURE AND DATING OF POGGINI,DOMEN ICO 'LEX ANTIQUA', Mitteilungen des Kunsthistorischen Institutes in Florenz, 41(1-2), 1997, pp. 206-211
Citation: F. Caglioti, The early Roman years of Andrea Bregno: A project for Cardinal Camerlengo,Alvise Trevisan and a 'Saint Michael the Archangel' for Cardinal Juan de Carvajal, MITT KUNST, 41(3), 1997, pp. 213-253
Citation: F. Vossilla, Baccio Bandinelli and Benvenuto Cellini between 1540 and 1560 - Artistic competition in Florence and Rome, MITT KUNST, 41(3), 1997, pp. 255
Citation: E. Fumagalli, Medici commissions and iconography in 17th-century Rome - The fresco cycleof the Palazzo Madama, MITT KUNST, 41(3), 1997, pp. 314-347
Citation: J. Wiener, "Ad-instar-S.-Marie-Maioris-de-Urbe": The cathedral at Orvieto and Santa Maria Maggiore in Rome, MITT KUNST, 41(3), 1997, pp. 348-360
Citation: M. Piccat, Iconography and textual cross-reference: The example of 'Santo Martire Guerriero' in the Galleria Sabauda (Medieval Piemontese painting), MITT KUNST, 41(3), 1997, pp. 377-381